Mia Frye
2 Films
Mia Frye
2 Included Films

Mia Frye (born 12 February 1965) is an American actress, singer, professional dancer and dance choreographer who lives and works in France. Frye is best known for choreographing the dance routine in the music video for the hit songs "Alane" by Wes and "Macarena" by Los del Río. Frye was born in New York City, and she departed for France with her model mother Radiah Frye at the age of 12 after her mother divorced and met photographer Jean-Paul Goude. She enrolled in a dance school in the Marais district of Paris, and became an instructor three years later. She started appearing in television entertainment shows produced by Gésip Légitimus in the late 1970s and in Les Enfants du rock. At 17, after being introduced to Luc Besson, the latter proposed she appear in choreography for a clip by Serge Gainsbourg called "Mon légionnaire". Frye came to prominence after she choreographed and appeared in the music video for Los del Río's hit song "Macarena". Frye said that her primary goal when she created the dance "was to remove anything that was too fast ... I wanted to be sure that even a child with no sense of rhythm could dance The Macarena." She appears in and choreographed the dance routine for the Wes Madiko music video for his song "Alane". She was the main choreographer for a comeback show by French pop singer Sheila in 1998, at the Olympia, Paris. Frye has taken part in French reality shows, starting with French version of Popstars in 2001, the inaugural season for the show. She coached the girl band L5. In 2004, she took part in La Ferme Célébrités, another reality television show with the task of collecting funds for a charitable association. She returned to French Popstars in 2007, the program's 4th season, as official choreographer mentor for the show. In 2012, she was a part of the jury in Encore une chance (subtitle: Les plus belles voix de la télé réalité) broadcast on NRJ 12. Other jury members included Richard Cross, Stéphane Joffre-Roméas and Morgan Serrano. Source: Article "Mia Frye" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Director: Luc Besson
LaserDisc is best for stereo.
While Sony 4K Blu-ray has Original Stereo, it is compressed like the 5.1 on the 4K Blu-ray.
The TrueHD 5.1 from the 2008 Sony Blu-ray is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94

Director: Luc Besson
LaserDisc is best for stereo.
While Sony 4K Blu-ray has Original Stereo, it is compressed like the 5.1 on the 4K Blu-ray.
The TrueHD 5.1 from the 2008 Sony Blu-ray is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94

Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate.
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.

Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate.
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
2 films